Writing Diversely From A Non-Diverse Standpoint
A few weeks back, someone posted a thought on Twitter that can be summarized as such:
Dear white people: Please stop writing minority characters into your books. You’re taking away readership from POC/minority writers.
I remember not being particularly caught off guard by the tweet. After all, it came from a writer who identifies as a minority writer in many ways (race, sexuality, religion…those are the ones I can recall at least). And part of me gets the point. There is definitely a gap between sales of books from white authors and from non-white authors, whether we’re talking about children’s book authors or otherwise. There’s a need for diversity in writing, not just in characters, stories, and points-of-view, but also in authorship. That much is very true.
And yet, I can’t do anything about the fact that I am writing from a white, straight, English-speaking, higher-educated male viewpoint. I want to write in a more diverse manner. It’s a goal I put forward for myself after publishing An Epilogue to Innocence.
I do think there are some things I did well in AETI. I tried to make the book less about good guys and bad guys and more about people — regardless of their gender, background, or religious views. Yes, religion, sexuality, gender, and mental illness were addressed in the book to varying degrees. And yes, there were shortcomings I had with the book. In particular, I wanted to find a way to make my future writing more diverse racially and culturally.
As an example, I recently wrote a story that I think has a lot of potential. The story is intended to introduce a larger world and as such, there are very limited deep details given about the main characters in the story that will be reappearing in later iterations of the story. You know, world building and what not.
One of the characters is supposed to be a woman of Filipina descent. I actively chose not to introduce this facet of her character in the first section of the story because I didn’t want her race to become the focus of her introduction. While her race is part of who she is, in the world in which she exists, what causes judgement and discrimination is not race — it’s something else entirely. Yet, at the same time, I feel as though it’s not only important that I have an understanding of the discrimination that any minority individual goes through in order to write my story effectively, but also in order to grow as a writer, I need to better understand how to write characters who are culturally different from me.
So I look to you, my readers, for advice. Many of you are also fellow writers, hence hoping to pick your brain on this topic. How do you write more diversely when you write fiction? What tips, tricks, and recommendations would you have for me as I look to become a writer that writers not just about those I know, but also those I hope to better understand?